Hey there lovelies! Here’s the page for us to share findings.
Task 1: Please introduce yourself and what you’d be interested in contributing to the project to the gang.
Task 2: Please share your top 5 tracks which must include orchestral arrangers (soul/jazz/RnB/pop of 60/70s). What do you love about the sound? What do you think are the signature elements of the music you’ve selected that we should take note of for our collaborative piece?
Deadline: 28th September.
Alfonso, I’m listening to music by Thom Bell on your recommendation, he has an interesting story too! I wonder what he does now? Would love to see these scores, how do I access them, record labels?
Lord ha mercy this as well:
Didn’t I (Blow Your Mind This Time)” – The Delfonics – starts with french horn and glockenspiel! That brass!!
Read this interview about his collaboration with Johnny Mathis on the track ‘Coming Home” and this stood out:
“Musically, Bell fashioned an arrangement that further amplified the visual cues in Creed’s narrative. “I intended to meet the obligations of the lyrics of what he’s saying,” he explains. “It’s got to match. If the arrangement does not fit, I’m not ashamed to throw it in the trash. Just because I wrote it doesn’t mean it has to be in there.” Each musical component on “I’m Coming Home” painted a vivid scene: the interplay between the bass and drums summoned a train’s chugging rhythm on the tracks while the strings evoked rolling landscapes glimpsed from a passenger’s window. The soft horns simulated a distant train whistle heralding Mathis’ arrival.”
Dancers work in 8s, my piece was in 4, shouldn’t be hard then, multiply by 2. Think again, I scratched my head umpteen times trying to get music and dance sections to flow. My counting has improved. A musician who can’t count, yup, shocking. I think I was mesmerised by dance movement. I’d conjure sounds and ideas for the moves, oh and then, whoops, I’d lost my place! Well, I can now confirm to you dear readers, that I can count 39 rounds of 8 counts of music (78 bars of 4) without getting lost. (Should I be proud?)
I’ve had an amazing time and hopefully they’ll be more dance collaborations to come.
This is what it sounds like:
(Afro, house-y in places, electro. I’ve tried to get rid of the vocals, some randomly left in)…
What’s it about? Exploring the emotive responses of loosing someone you love.
This came through my inbox. If I wasn’t working in the capital I’d be all over this.
Arts in a cold climate: Should we all jump into bed together?
Date: 29th November, Time: 12-2pm, Location: Birmingham Hippodrome, Thorp Street, Pinsent
Masons Suite. Lunch and refreshments will be provided. Funding bodies are signalling that
collaborative working across the arts will be a key to all our futures. This event will explore the
possibilities for closer working to improve efficiency and enhance creativity. Is collaboration the
answer? Please join us to discuss current initiatives and future possibilities.
Please RSVP to firstname.lastname@example.org by 21 November.