I’m going to use my website more to serve as a brain dump for my PhD musings on ‘composing in a hyperlocal environment’.
I’ve entered my second year of research and I’m currently thinking about the first year of fieldwork that has taken place. My project for-Wards is the main body of work, where 10 Brummie composers work in 10 Birmingham constituencies to co-create new music inspired by the locality. You can learn more here.
I will examine how a composer can create music that is ‘hyperlocal’ – a journalistic term relating to work that is specific to the matters concerning a small community or geographical area, through practice-led research.
I will examine the following sub-questions:
– How does a composer develop co-compositional methods via an examination and inclusion of socially engaged art methodologies to create hyperlocal art music?
– How does a composer of hyperlocal art music formulate suitable evaluation criteria to assess the efficacy of works of art created in this context?